Author: gordsellar

  • The Prison Camp

    We want to prove to ourselves that we are lovers on the grand scale, tragic heroes; not just ordinary privates in the huge army of the bereaved, slogging along and making the best of a bad job.
    – C.S. Lewis, A Grief Observed

    The songs are spangled with the consonants
    of numbers, dates not written down, commands
    that were, most of the time, unsaid. And we
    sing them, humping sacks of sand uphill.

    Each of us has, tucked into a boot or taped
    inside his helmet, a story penned out in
    an uneven hand. To be sent back home in case
    some unfortunate thing should come to pass.

    There is, in this, some thing gone far askew.

    We want to march our colors, met with cheers,
    to wipe the bleary mud off both our boots,
    stand on a rock and decant our sufferings
    and dare not, for we have seen other scars

    on other bodies. Fingers blown away.
    The weary bleary wounds that fail to heal.
    The ones that heal too well, and are forgotten
    and we disbelieve, for wounds are meant to ache.

    We look on faces caked and cracked and so
    we have no epics left to write. Instead,
    We sing whatever song the others start,
    and keep at it, and soon enough, it’s done.

    And this is good… for otherwise, nothing
    would get done in this camp. The fires of
    the guard would grow cold long before the dawn,
    and darkness would claim far too many souls.

    I started out like that, a while ago:
    just moved my lips in time with all the words;
    but soon, I found that I was singing too,
    in tune, at least, if off their time and faith.

    They’re much too small, the atoms of the world.
    The oldest sit and wait, as we slog by;
    we think, They are entitled to a rest,
    they look as if they are about to die.

    We hump the sacks of sand right up a hill,
    drop one or two and watch them roll back down.
    Okay, we say, there’s lots more left to bring,
    a bag or two more won’t kill nobody.

    At night, some rig together tents and sleep
    arm in arm, and touch others’ wounds;
    and others of us sit awake and watch,
    pretending not to hear the sleepers’ sounds.

    Look at the soil: is it just meant to sit,
    so simple? Not like in the photographs.
    When rain falls, tunks against our helmets, soft,
    we wonder, Is that how it’s meant to sound?

    And then, from time to time, we heard the shriek
    beyond the places we’re able to go,
    of something wicked, maybe in the sky,
    of something, but we’ve no idea what.

    The wretched wire that lines the fencing can’t,
    we vividly dream sometimes, be real. Let’s
    Try walk through it, shan’t we?
    And we try; so,
    more wounds, more bleeding. Nor the first time, no.

    We dig through soil. Its dark and loamy soothe
    makes us impatient. Faster with the spoons!
    The quiver in us till a mine goes off
    above; the tunnel wrecked; the dull retreat.

    The random few with wild eyes plot away,
    tuck into pockets bolts and screws and nuts.
    They squirrel boards away beneath the floor,
    and piecemeal, mad construction underway,

    Old men in the camp chuckle, talk about
    the last time any fool tried that way out.
    They do not care to hear. The best of them
    have no more faith at all. We will not fall,

    they say through tears, and hammer, quietly.
    They bind the bands of wood out, smooth curvings
    planed to the style of hope that is in fashion
    in this rank old place. I must admit,

    I almost prayed for their success. I did
    not, but I dreamed their hope at night;
    a strange and wooden bird took to the sky
    and climbing higher, piercing clouds apart.

    The weeks passed inchwise. We began to think,
    would we die of this interment? Or could
    we find a way to see the walls as windows,
    and find some means to make this prison good?

    Nobody has ever slept enough in here.

    One morning I awoke. It lay in flames,
    already, all consumed. The young men blamed
    the old, the children screamed, the old men sighed,
    and then we slowly named the men who died.

    We picked them out between the smoking ribs
    of the failed craft. I thought them rather daft.
    If that were the way out, then I should think,
    we’d have got out of here before now, no?

    The smoke curled up. It stays clear in my mind,
    the strange and sweet absurdity of that;
    the tendrils made me think of atoms and
    the gravity that we cannot escape,

    which holds us as an elderly sister might.

  • elegy: mother, ocean, tear

    the first women
    emerged from oceans
    carrying within
    fistfuls of it, hidden
    salty-womb-drink

    to anoint husbands,
    baptize children, months-long
    to pass a sacred drop into each daughter

    what is a tear
    except whispered
    memory, brine, carried from
    home?

    do the fishes weep? do they
    fill depths for
    us, mourning lost cousins?
    Do deep ones,
    freakish luminous things,
    nameless jellies, floating
    shadow-tentacled monsters? Through the glass
    you shudder, snapping pictures;
    wonder, does it remember
    me?

    families have limits, boundaries,
    barriers, photos that will never
    be kept in albums, names
    not made for genealogies

    you will never learn to
    swim.


    Gord Sellar, 1997

    notes
    This poem is one of the first semi-decent ones I wrote back in my undergraduate days . It was “published” in a chapbook that my class put together. I quite like the connections between tears and salty ocean water and the womb; I feel like saying something about the profoundly modern experience of disassociation from nature (seen through glass) and how that is somehow mashed together with our experience of having our human distinctness from nature torn from us by the discovery of, and deepening of our understanding of, evolution. But I think I’ll just shut up and let the poem say it instead.

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